Friday, January 31, 2020

Contribution of Digital Projections for Approaching Mise En Scene in Contemporary Theatre Performance Essay Example for Free

Contribution of Digital Projections for Approaching Mise En Scene in Contemporary Theatre Performance Essay In this research paper I’m going to describe about theater production technology which it is using digital production and how it is saturate to the mise en scene. Cinematic theater is term of using digital projection in contemporary theatre. That can be briefly described as a fusion of live performance and the magic of the big screen. By utilizing the best dramatic devices that each art form has to covey a story and entertain an audience; the possibilities to create interesting narratives and stage dynamics through the synergy of stage and cinematic design is exciting. Cinematic theatre is a contemporary style of drama that revolves around using pre-edited and live vision sequences to be projected onto screens and surfaces. These sequences are then integrated with the live performance to create dramatic meaning that interacts with the dramatic action on stage. The integrated use of projection during scenes and scene changes allows the stage action to become continuous, therefore creating a suspension of disbelief that engages the audience. In the ever increasing technological environment, more and more information and storytelling is being brought to us through visual images and screens; contemporary audiences are able to read layered visual texts. In developing a creative rationale for the utilization of cinematic sequences in live performance you have to consider various factors; how to use the projected vision without overwhelming the stage performance, creating a theatrical and visual design that enhances the dramatic meaning and the narrative choice between screen and stage action. To guide the creation and production of new work we have developed a description of the elements of cinematic integration for live performance. To accompany the Cinematic Theatre style they have devised a comprehensive creative rationale that we teach to educators and students using the conventions and elements that we utilize to produce visual performance work. Primary Conventions: The basic principle of Cinematic Theatre is to create a continual experience by using visual sequences projected onto screens or surfaces, in conjunction with set design and lives performance to create different dramatic spaces. The cinematic design should be active throughout the performance, to achieve this there are two primary conventions that are used to integrate the stage with the Visual design: Cinematic Backdrop is the live visual environment that works together with live scenes on stage to create a dynamic visual design to enhance the dramatic action. There number of ways to utilize the live backdrop: Cinematic Transitions are the visual sequences between the live stage scenes that allow the performance to continue during scene changes keeping the audience engaged. These transitions work very well with music and the use of popular songs to accompany these cinematic sequences to add meaning and action, especially if the music chosen is representative of the narrative. Visual Conventions: In producing a Cinematic Theatre production there are number visual conventions that can be utilized to create a genuinely integrated performance. Style Elements: When conceptualizing the visual component of a cinematic theatre performance it is important to address the overall style with reference to the script/ narrative/ context. In below describe technologies, which is using for the cinematic theatre. Screens and Surfaces: Traditionally projection has been used on one screen directly behind the stage action, much like a movie screen. With more mobile projectors and screens it is possible to think of new ways to place and project images. A number of screens can be used to create different effects, in What Simon Said? there rear projected screens were used to create the walls of the character’s room as the cinematic background. We envisage being able to create large-scale immersive environments to create distant horizons, urban architecture or multiple images. Stage design allowing the utilization of projected images on surfaces can create a dynamic canvas on which to apply vision. The applications are only limited by your imagination and ability to position the projector. Some examples include: a window space to see outside, a mirror to show symbolic representations of character, floor space to create a pool of water, smoke, curtains etc. Lighting design: It is important when incorporating video into live performance that you consider the effect of lights on the screen surface. One difficulty in setting lights is that they can significantly degrade the brightness and colour of the screen images if there is light either directly hitting or bouncing from the floor onto the screen. One solution is to set the screen up from the floor and placing some blocks/staging in front to block some of the bouncing light. When considering colour gels it is imperative to consider colours used in the screen images and try to match them as well as possible to give a blended effect. Mise-en-scà ¨ne Mise-en-scà ¨ne is a French term and originates in the theater. It means, literally, put in the scene. For film, it has a broader meaning, and refers to almost everything that goes into the composition of the shot, including the composition itself: framing, movement of the camera and characters, lighting, set design and gen earl visual environment, even sound as it helps elaborate the composition. Mise-en-scà ¨ne can be defined as the articulation of cinematic space, and it is precisely space that it is about. Cutting is about time; the shot is about what occurs in a defined area of space, bordered by the frame of the movie screen and determined by what the camera has been made to record. That space, the mise-en-scà ¨ne, can be unique, closed off by the frame, or open, providing the illusion of more space around it. Four aspects of mise-en-scene, which overlap the physical art of the theatre, are setting, costume, lighting and movement of figures. Control of these elements provides the director an opportunity to stage events. Using these elements, the film director stages the event for the camera to provide his audience with vivid, sharp memories. Directors and film scholars alike recognize mise-en-scene as an essential part of the director’s creative art. Conclusion In this research I’m trying to explain ‘contribution of digital projections for approaching mise en scene in contemporary theatre performance.’ In the first part I briefly explain what is ‘Digital projections’, ‘mise en scene’ and ‘contemporary theatre performance’. Mise en scene is French term and it generally use for film appreciation or film criticism. But previously this term use for critic theatre productions. Actual meaning of mise en sence is ‘put in the Frame’. Frame is basically explained in both film and theatre. So I think using term of mise en sence is possible in theatre productions. For creating theatre sets, props and space generally using hard materials. But in this art form those things create by digital projections. This is major development of the contemporary theatre productions. Further more I’m explaining advantages and disadvantages of usage digital projection in this art form. Finally I’m talking about choreographers who use this art form successfully and showing few videos. Basically this is new art form. It is impossible to compare with other theatre performance, which is not using digital projections. Choreographers day by day create new art pieces using projections. So I think this is major occasion of digital media use in society.

Thursday, January 23, 2020

Paul s Unhealthy Desire in Pauls Case Essay -- Pauls Case Essays

Paul 's Unhealthy Desire in Paul's Case In her short story "Paul's Case," Willa Cather tells the tale of a young boy's struggle to separate himself from his common, everyday life and the people he shared it with. Paul admired the opulence of the theater, the wardrobe, the perfumes, the lights, the colors, the flowers, and the champagne. When he realized it wasn't possible to have these things, he threw his life away. Cather's purpose was to show that, by focusing on what he didn't have, Paul could not live at all. Many clues were given that Paul dreamed of leaving town. For instance, he was exhilarated by the Venetian scenes and streets of Paris depicted in the picture gallery. He loved to listen to his father speak of "palaces in Venice, yachts on the Mediterranean, and high play at Monte Carlo" (202). Also, when no one paid attention to his stories, Paul announced to his classmates that he would be leaving to travel for a while. These acts foreshadow Paul's fleeing to New York. The fact that he actually stole money to take this trip shows how intensely desperate he was to leave. By constantly fantasizing about being somewhere he wasn't, Paul could not possibly live where he was. Throughout the story, flowers are used to symbolize Paul's situation. The red carnation he wears to the meeting with his teachers is viewed by them as "flippant" and "scandalous" (195-196). This also suggests his attitude towards the gathering. Paul was very nonchalant about the entire thing. His clothes may have been a bit small and tattered, but by wearing that flower, Paul had no trouble holding his head up. He had always acted as if he were on a higher level than his teachers, and he felt it necessary to humiliate them and give them no s... ... of Adriatic water and the yellow of Algerian sands" (213). These are both natural images, both beautiful, and neither contain artificial elements. This is significant in that Paul spent his life focusing on the beauty of artificiality, but when I feel this sense of regret in Paul, this epiphany, it is too late. Paul stated a few times throughout the story that being in the atmosphere of luxury was "the only thing that could be called living at all" (198). He speaks of these times as "orgies of living," so I would imagine when he realized he could not afford that life, he felt that he could not live at all (200). Paul 's unhealthy desire for a life of luxury drove him to believe that his ordinary life was not worthy of existence. Work Cited Cather, Willa. "Paul's Case." Literature: A Pocket Anthology. Ed. R.S. Gwynn. New York: Addison-Wesley, 2002. 194-213.

Wednesday, January 15, 2020

Discuss the Types of Unemployment and the Benefits of Controlling It In the UK Essay

Unemployment is the number of people out of work who are actively seeking employment at the current wage rates. To be actively seeking work you must be of working age: 16-64 for males and 16-59 for females and not economically inactive. That means you cannot be in full time education, be on a training scheme, have retired early or be raising children at home. To measure unemployment in the UK the government uses two methods to quantify the rate. The first is the Labour Force Survey, in a monthly survey of a sample of households representing the entire population. The surveys are based on the activities of each person of working age in the households, within a one week period. A person who did any work during that week for pay or profit, worked 15 hours or more as an unpaid worker in a family business, or had a job from which he or she was temporarily absent, is counted as employed. A person who was not working but was looking for work or was on a temporary lay-off and available to take a job is counted as unemployed. The second is the claimant count, where the governments collect figures on the number of people claiming unemployment benefits from the DSS. This second method often gives lower values as they is likely to be many people who do not except the benefits, purely on principal or because they do not need the extra cash. There are five main types of unemployment which all affect the economy in different ways. These are cyclical or demand deficient unemployment, frictional unemployment, seasonal unemployment and structural unemployment. The first of these, cyclical or demand deficient unemployment is based around what will happen to demand in a recession. When the economy goes into a recession there is a rise in unemployment as there is insufficient demand within the economy. This is really only a short term cause to unemployment, because when in recession the economy is in disequilibrium. However macroeconomic forces will work to restore the economy to its long run equilibrium, however in the short run there will be unemployment. In a recession the demand curve will shift left to D2. With the wage rate remaining constant at W in the short term there will be unemployment of GE created. In response macroeconomic forces will cause one of two changes. Either the economy will move out of recession, causing the demand curve to shift right and back to the equilibrium point of W , E. Else if the economy stays in recession the forces will cause the wage rate to drop to Y and cause the number of workers employed to rise to F. However as the economy moves out of recession the demand curve will shift right, causing the economy to move back towards its equilibrium at W , E. The second types of unemployment, frictional unemployment is the term used to define workers who have recently lost a job and are in short term unemployment until they find further employment. There is always turnover of labour in a free market, so frictional unemployment is not regarded as a major problem. Seasonal unemployment is when workers work within an industry that only requires them to be employed at certain times of the year. For example in the tourist industry workers tend to work in the summer, but are then laid off in autumn months before taking up their jobs again the next spring. There is very little that can be done to prevent seasonal unemployment in a market where the demand for labour varies throughout the year. Structural unemployment is when the demand for labour is less than the supply in an individual labour market. There are three main examples of this. Regional unemployment, where different areas of the country have different rates of unemployment and because of a lack of factor mobility, labour is not able to freely move between regions and balance unemployment. Sectoral unemployment is when workers from one industry are unable to adapt to a different industry, therefore not being able to follow the changes in demand. Finally if technological unemployment, where technology advances and replaces manual labour, therefore without retraining workers would not have the skills to operate these machines and therefore would not be suitable for the demand of labour. Controlling the rate of unemployment in the UK is going to be a key element in the performance of the UK economy. The rate of unemployment is directly related to real GDP. So in both the short run and the long run if the economy is to grow then unemployment most be controlled. The rate of unemployment will also determine the kind of policy the government will have in place to boost the economy, although this is also based on the type of government in power. The current labour government are Keynesian economists and believe that in the long run there may be mass unemployment. They also use fiscal policy, which is a demand side policy. So their economic goals will depend a lot on the long term unemployment levels that are predicted. If the government are predicting a period of sustained unemployment they are likely to be aiming at lowering inflation. Whereas if they predict full employment they can aim for increased GDP. Because of the shape of the long run aggregate supply curve, both these goals can be achieved without altering any other elements of the economy. To lower inflation the demand function would need to be shifted left. This could be achieved by an increase in the National Insurance contributions of workers. This would cause more of people’s income being taken in taxation leaving them with less money to spend on goods and services, which would cause a decrease in the total demand in the economy. To help increase economic growth the total demand in the economy would need to be increased. This would need a shift left in the demand function, which could be caused by a fall in interest rates. This would cause more people to borrow money and less to save, leaving more money in the economy which will increase the demand for goods and services. If unemployment can be kept low then the costs of unemployment are minimised as well. Not only do the government have to spend less on unemployment benefits but also have less trouble with crime and vandalism, which will also save them valuable money. Also everyone will have more money to spend, not only the previous unemployed, but also previous taxpayers as the government will require less money from them. This will increase total money in the economy and cause the aggregate demand to shift right, which will cause the growth of the economy to increase. So sustainable unemployment is good for the economy as it enables the government to set goals and work towards them around the long term predictions for unemployment rates. This is only an option if unemployment is kept in a boundary. Else if it is too fluctuated then it is hard to judge what the government will need to do from one day to the next. However controlling unemployment may not always be a good thing. For example because unemployment is directly related to economic growth, if you are controlling unemployment then you are also controlling economic growth. This will not be a good thing as the economy is at its most efficient when economic growth is climbing at a rate constant to the economy, not controlled by the government.

Monday, January 6, 2020

Effects of Prenatal Exposure to Valproic Acid and Autism - Free Essay Example

Sample details Pages: 4 Words: 1234 Downloads: 7 Date added: 2019/02/14 Category Medicine Essay Level High school Tags: Autism Essay Did you like this example? INTRODUCTION Autism is a neurodevelopmental Disorder, one of five disorders classified collectively as autism spectrum disorder, is diagnosable by the age of three. Diagnosed individuals may show many symptoms such as pervasive impairments in social interactions, deficits in verbal and nonverbal communication and, stereotyped, repetitive patterns of behaviors interests (Zimmermann, Gaspary, Leite, Cognato, Bonan, 2015). Autism is said to have a strong genetic environmental connection. However, the etiology of autism has not yet been copiously understood or studied (Chen, et al., 2018). Effects of prenatal exposure to valproic acid, one of the widely used antiepileptic drug for the treatment of seizures and bipolar disorder and overactivation of Protein Kinase C is being discussed in this paper (Liu, et al., 2018). Don’t waste time! Our writers will create an original "Effects of Prenatal Exposure to Valproic Acid and Autism" essay for you Create order PRENATAL EXPOSURE TO VALPROIC ACID Exposure to valproic acid during embryonic growth adjusts neural progenitor cell proliferation and could also cause behavioral disfigurements in adult organisms (Lee, Kim, Yun, Lee, 2013). Embryos collected from Wild-type AB line spawning adult zebrafish within about 0.5 h of spawning had been exposed to a VPA stock solution of 500 mM for the initial step of this study. The working solution had been prepared by diluting stock solution instantly prior to the experiment. The six different concentrations of solutions where the embryos from 8 to 120 h post fertilization were continuously exposed were between 0 and 1500 ?M, with the 0 being the control (Chen, et al., 2018). Developmental endpoints measured in this study comprised of malformations mortality at 120 hours post fertilization. In this study the experiments contained of three biological triplicates with 20 embryos in each repeat. At the end embryos were moved to clean fish water for additional evaluations where the size of their head was measured at 4.5 days post fertilization and behavioral patterns were evaluated five days post fertilization with the use of Alcian blue stain and Image J software procedures (Chen, et al., 2018). Zebrafish embryos exposed to Valproic acid were assessed for Embryonic and larval movement behaviors, spontaneous movement such as alternating tail bending or coiling, the response to touch in embryos that were manually dechorionated and the distance moved after touching were scored manually. Moreover, Larvae were adapted for 20 minutes before recording swimming for 10min visible light period, followed by a 10-minute dark (infrared light) period for evaluation of the average swim speed in light and dark atmospheres (Chen, et al., 2018). Basic tracking settings were used for larval movement tests such as their preference behavior of light and dark backgrounds and the number of times larva crossed between light dark areas where data collected every 60sec for 6 minutes. Shoaling behaviors, Mirror attack behaviors and, Social contact were additional tests that was carried out (Chen, et al., 2018). OVERACTIVATION OF PROTEIN KINASE C AB strain zebrafish larvae soaked in PMA, a Phorbol 12-myristate- Subgroup of PKC enzyme between 48?hours and 72?post fertilization were used in this study. Once the chorions were detached at 12?hours post fertilization embryos were exposed to DMSO and PMA, then collected for subsequent analysis once 24 hours passed. RNA isolation and Reverse transcription quantitative PCR (RT-qPCR) was carried out on an ABI Viia 7 Real Time PCR System for further analysis at the end of the experimental procedures (Liu, et al., 2018). The head size was demarcated by the otic vesicle semicircle of eyes as posterior and lower frontier. Measurements just as in the previous study were estimated using ImageJ software. For the Behavioral assays larval fish that were placed in a 24-well plate inside a wooden box were monitored on automated video tracking system in two cycles of 5-minute light and 5-minute dark backgrounds. Western blotting, Immunostaining and, TUNEL labeling procedures had been used for additional valuations (Liu, et al., 2018). RESULTS It was confirmed that valproic acid exposures induced several malformations in the zebrafish. Uninflated swim bladder, pericardial edema and yolk sac edema had been observed. Consequently, the occurrence of abnormalities was found to be significantly diverse compared to control larvae at concentrations including and above 500 ?M (P Most importantly it was found that valproic acid exposure in zebrafish produced a macrocephalic phenotypic head where the circumference of the head is greater than 2 standard deviations than average for a given age and sex. However, no changes in the body length were noted. Additionally, the lowest concentration of valproic acid (5 ?M, P The hypothesis of early-life PKC hyper-activation leading to mild developmental delay and reduced brain size resulting in neurogenic defects was verified in the study of protein kinase experimentation. It was also evaluated that zebrafish exposed to PMA were hypoactive in lighted backgrounds and hyperactive in the dark phased environments (Liu, et al., 2018). DISCUSSION Evaluating the studies, it is clear that non-teratogenic valproic acid exposure resulted in macrocephalic phenotypes in larval zebrafish, fabricating hyperactivity and impaired social behavior (Chen, et al., 2018). Deficits in social interaction, anxiety and stereotyped activities which are considered outcomes of a dysfunctional neural system could be compared with some of the core characteristics associated with autism spectrum disorders (Lee, Kim, Yun, Lee, 2013). Increased head circumference and volume is also a clear visual abnormality that could be seen in some autistic individuals at a certain point of their life. PKC hyper-activation during early development could cause many pathological features such as developmental delays, motor abnormalities and exaggerated stress responses. Furthermore, neuropathogenic effects of developmental PKC hyper-activation was reinforced by behavioral changes (Liu, et al., 2018). Several neurological and psychiatric syndromes are characterized by variations in the social realm (Zimmermann, Gaspary, Leite, Cognato, Bonan, 2015). The optical lucidity and quick development, comparable stages and components of the central nervous system to higher vertebrates, all have made Zebrafish an ideal and advantageous model for many different research studies (Roper Tanguay, 2018). Even though behavioral studies could be immeasurable accurately the identification of targetable molecular pathways underlying neurodevelopmental defects could create paths in the development of possible therapeutic strategies for autism as well as countless other disorders that affect the society. References Chen, J., Lei, L., Tian, L., Hou, F., Roper, C., Ge, X., . . . Huang, C. (2018). Developmental and behavioral alterations in zebrafish embryonically exposed to valproic acid (VPA): An aquatic model for autism. Neurotoxicology and Teratology,66, 8-16. doi:10.1016/j.ntt.2018.01.002 Kim, L., He, L., Maaswinkel, H., Zhu, L., Sirotkin, H., Weng, W. (2014). Anxiety, hyperactivity and stereotypy in a zebrafish model of fragile X syndrome and autism spectrum disorder. Progress in Neuro-Psychopharmacology and Biological Psychiatry,55, 40-49. doi:10.1016/j.pnpbp.2014.03.007 Lee, Y., Kim, Y., Yun, J., Lee, C. (2013). Valproic acid decreases the proliferation of telencephalic cells in zebrafish larvae. Neurotoxicology and Teratology,39, 91-99. doi:10.1016/j.ntt.2013.07.004 Liu, T., Shi, Y., Chan, M. T., Peng, G., Zhang, Q., Sun, X., . . . Cheng, C. H. (2018). Developmental protein kinase C hyper-activation results in microcephaly and behavioral abnormalities in zebrafish. Translational Psyc hiatry,8(1). doi:10.1038/s41398-018-0285-5 Roper, C., Tanguay, R. L. (2018). Zebrafish as a Model for Developmental Biology and Toxicology. Handbook of Developmental Neurotoxicology,143-151. doi:10.1016/b978-0-12-809405-1.00012-2 Zimmermann, F. F., Gaspary, K. V., Leite, C. E., Cognato, G. D., Bonan, C. D. (2015). Embryological exposure to valproic acid induces social interaction deficits in zebrafish (Danio rerio): A developmental behavior analysis. Neurotoxicology and Teratology,52, 36-41. doi:10.1016/j.ntt.2015.10.002